![]() ![]() Jaxsan-coated polyfoam, muslin, nylon webbing, rope, leather, wood, acrylic, spandex, plastic wood, latex, wool, vinyl, cotton, chain, elastic, springs Puppets built by Katie George, Chris Brown, Bob Lynch We present here five vastly different puppet approaches to the characters of Macbeth and Lady Macbeth that are fashioned into wrestlers, birds, household objects, gumball-machine ninjas, and Cubist-inspired marionettes. Many puppet artists have been drawn to Macbeth’s bloody murders, witchcraft, supernatural atmosphere, and hallucinations caused by fear and guilt. Propelled by his wife and driven by lust for power, Macbeth kills those who stand in the way of kingship. Macbeth tells of a Scottish general who takes to heart the prophecy of three strange women that he will be king. This exhibition celebrates objects as legitimate actors for dramatic literature and the capacities of Shakespeare’s plays as frameworks for exploring relations among people, things, and the world. Puppets cast new light on dramatic characters and situations. Rather, they cast non-humans in roles to reveal metaphorical substrates of Shakespeare’s plays. They deploy them not simply to replace human thespians with miniature actors. The modern and contemporary artists in this exhibition recognize the dramatic potential in puppets and everyday objects. More recently, puppets have been used in Shakespeare’s plays to perform the roles of children and animals, since they are easier to handle. Shakespeare has been puppet-ized in order to introduce the classics to new audiences, to draw on the playwright’s cultural cachet, or to appropriate his compelling stories. Less well known are the many puppet versions of his dramas performed since the early seventeenth century. The plays of William Shakespeare (1564-1616) have been produced with human actors globally for over four centuries.
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